Related Paintings of unknow artist :. | Still life floral, all kinds of reality flowers oil painting 171 | Natureza-Morta | Oil painting depicting Raden Wangsajuda, patih of Bandung, West Java | Classical hunting fox, Equestrian and Beautiful Horses, 112. | Schulmadchen |
Related Artists:
Virgilio Guidi
1891-1928 Virgilio Guidi Gallery
Denis van Alsloot
(Dutch: Denijs van Alsloot) (c. 1570, Mechelen - c. 1626) was a Flemish Baroque painter. He initially painted using the style of Gillis van Coninxloo, but after 1610 gradually developed a style of his own. This style can be seen in paintings such as The feast of the Ommegang (Museo del Prado, Madrid) and Procession to Mary at the Zavel in Brussels (Victoria and Albert Museum, London). At the beginning of the 17th century, in either 1600 or 1606, his career rose when he served as court painter to Albert and Isabella. Hendrick de Clerck sometimes painted the people (Dutch: stoffering or stoffage) in his landscape works. Van Alsloot's work can be regarded as a precursor to modern Landscape art.
Willem Bastiaan Tholen
was a Dutch painter, draftsman and printmaker, born in Amsterdam, 13 Feb 1860, died in The Hague, 5 Dec 1931. He came from an artistic family, who lived in Kampen from 1864. There he developed at an early age a lasting love of the Zuiderzee. In Kampen he became friendly with the young Jan Voerman; they entered the Amsterdam academy together in 1876, where Tholen studied under August Allebe. Subsequently he learned technical drawing at the Polytechnische School in Delft until 1878. Thereafter he spent three months in the studio of Paul Gabriël in Brussels, from whom he received his first real instruction in painting. In the following years Gabriël's advice was of particular importance for Tholen, as they worked together en plein air for many summers near Kampen and Giethoorn, among other places. In Gouda (1878-9) and Kampen (1880-85) he taught draftsmanship in order to support himself but after 1885 concentrated entirely on his own work. From 1887 he lived in The Hague, where he became friendly with the painters of The Hague school. He took an active part in the artistic life of The Hague and was a member of the Pulchri Studio.